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DAVID
GAINES (b.
1961) has been hailed by a wide variety of critics and other
artists for his imaginative orchestrations, the international flavor of
his music, and his exploration of new sonorities through unique
instrumental combinations while remaining rooted in traditional musical
structures:
▸ “a captivating performance....a milestone in the
canon of symphonic band literature” (Washington
Post)
▸ “colorful percussion writing....Gaines demonstrates
a keen affinity for orchestration. Woodwinds and brass are vividly
exploited; percussion applied with as much subtlety as power.”
(Baltimore Sun)
▸ “I cannot imagine a more powerful mix of words,
images, and music....People who know nothing of Massoud or Afghanistan
will be stunned by the sheer power of the composition, and people who
are familiar with these topics will be reduced to tears....a tremendous
piece of work.” (Sebastian Junger,
author, “The Perfect Storm,” “A
Death In Belmont,” “Fire”)
▸ “This is very attractive music....Without ever sounding like a pastiche of styles, Gaines'
music succeeds in creating its own approachable style, with impressive
lyricism....and a real sense of power
and purpose” (Records
International)
▸ “Wonderful compositions....” (Bay Area Chamber
Symphony)
▸ “Thank you for writing such beautiful music for the
voice.” (Mezzo-soprano Kimball
Wheeler, former voice faculty member, California Institute of the
Arts)
▸ “extraordinary talents....highly skilled handling
of the large structure....a very talented composer” (Loudoun Symphony
Orchestra conductor Mark McCoy)
▸ “....spiritually uplifting....” (Omaid Weekly)
▸ “....Gaines has contributed [a] major work
which can hold its own against any other modern symphony....” (EsperantoUSA)
David
Gaines grew up in
Stamford, Connecticut and was a euphonium and bass trombone player
in both bands and orchestras (he was principal euphonium of the Connecticut
All-State Band for
two years), a background that enabled him in later years, as a
composer, to champion solo
opportunities for low brass instruments. His output
includes two symphonies, two euphonium concertos,
and a wide variety of chamber, choral, and electronic music. His
principal compositions are available on compact discs and digital
downloads from MMC
Recordings and Verda
Stelo Music and are published by Verda Stelo Music. Radio stations
across the USA, as well as Radio Free Europe/Radio Liberty and internet
music streaming sites, have broadcast these recordings.
A graduate of Northwestern
University, American
University, and Johns Hopkins University's Peabody Conservatory of Music
(where he earned a doctoral degree in composition), Dr. Gaines’
teachers included M.
William Karlins, Stephen Syverud,
Jerzy
Sapieyevski, Jean
Eichelberger Ivey, and Robert Sirota.
He counts among his major influences Aaron Copland, Paul Hindemith,
Alan Hovhaness, Lou
Harrison, and Ellen
Taaffe Zwilich.
Dr. Gaines’ numerous awards include annual ASCAP Standard Awards since 2000;
first prize in the 1997 College Music Society
Mid Atlantic Chapter Student Composers Competition; and first
prize in
the song division of the World Esperanto
Association's 1995 International Fine Arts Competition. He holds the rank of adjunct
associate professor at University of
Maryland University College and is a former instructor
for New
School University's online Master of Media Technology degree program,
for which he created the first Internet college-level music course for
credit (on the history of electronic music technology).
David Gaines is particularly known around the world as a
champion of
the international language Esperanto.
The "Society and Esperanto" Foundation of Bulgaria named him an
Honorary Life Member in 1994, and in 2006 the international
organization
Muzika Esperanto-Ligo awarded him the title of Honorary President. Esperanto
magazine, published in The Netherlands, commissioned him to write their
obituary for the distinguished composer Lou Harrison after his passing
in 2003 (Harrison was renowned for his support and use of Esperanto in
his own music).
David Gaines resides in Rockville, Maryland. A composer member of ASCAP and the American
Music Center, he is completing a concerto for baritone saxophone
and chamber orchestra (for
the Seattle saxophonist James DeJoie),
to be recorded in Slovakia in May 2008 for a chamber music CD release
in 2009.
4/2008
Copyright
© 2008 David Gaines
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